Episode 41: Behind the Scenes of Moderation Online

Hello, and welcome to episode 41. In the final behind the scenes episode of the year, I wanted to talk about my most unusual series, Moderation Online, and the story behind it.

Now, if you haven’t heard me talk about my Moderation Online series, here’s the idea: a group of terrorist vegetables attempts to take down an empire of processed foods.

Before you run away laughing, I promise I’m not crazy. Far from it.

I like to tell the story of how I spent time in the hospital in 2012 due to an illness. Well, when I was in the hospital, I was on a heavy dose of morphine, and one of the side effects of morphine is hallucinations. It makes you incoherent, and you see things.

I couldn’t eat solid food, which made the problem even worse because I didn’t have a full stomach, so the hallucinations were intense.

I remember being on my hospital bed one night, wishing I could eat. Seriously, I would have done anything for a cheeseburger.

What happened next completely changed my life and made me into an artist. I promise that everything that you’re about to hear actually happened, and that I’m not crazy. I am not making this up.

I was laying on my bed, and I heard someone whisper my name.

“Michael.”

I looked around but didn’t see anyone.

Then I heard my name again.

“Michael.”

Sitting in my room was a giant cheeseburger. He had arms and legs, and greasy eyes. He had teeth, which were dripping with cheddar. He was seven feet tall and probably six feet across. And he had a New York accent.

“Hey buddy, let’s get out of here,” he said.

“Get out of here?” I asked. “Where are we going to go?”

I don’t remember what happened after that. All I remember was the cheeseburger standing in my room, grinning at me.

Later that night, as I tried to sleep, I couldn’t. I kept dreaming about a huge city. It was one of the biggest cities I’d ever seen, and it was lit up with lights under a dusky sky. But the odd thing about the city was that the buildings were made of food—the skyscrapers were made from cereal boxes. Blimps shaped like TV dinners flew over the city, with cryptic messages flowing across their TV screens.

Something about that city scared me—it had a bad energy, like a place you didn't want to visit.

I kept dreaming about it. It loomed on the horizon of my dreams, and I didn't know what to make of it.

After I got out of the hospital and recovered, I remembered those hallucinations. For years I couldn't stop thinking about that talking cheeseburger and the scary city.

I decided to write a novel about it, which ended up being Food City, Book 1 in the Moderation Online series.

The series follows Kendall Barnes, a citizen of the near future, where obesity and heart disease are ravaging the world, to the point where doctors don’t know what to do about it. A group of doctors devises a unique strategy—a virtual reality video game where humans interact with anthropomorphic vegetable characters and go on quests with them. By doing this, humans subconsciously learn that vegetables are good, and it prompts them to eat better, and improve their health.

Kendall is an obese African-American man, and he is enrolled in this experimental game after having a heart attack for the first time. While he’s being uploaded into the game, hackers inject malicious code into the game, corrupting it. That code is a civilization of processed foods who take the vegetables hostage and trap the humans in their city of salt, sugar, and fat under the false illusion that processed foods are their friends and vegetables are evil. Vegetables live under the city as second-class citizens, starved of food and sunlight.

Instead of an idyllic world with friendly vegetables which was the intent of the game, Kendall ends up in New Eaton, the dangerous city of processed foods, and he falls under their spell. The ruler of the city is a sparkling cloud of salt named Sodius, and Kendall pledges allegiance to Sodius and his race of processed foods in exchange for a life of partying, fun, and gambling.

The book begins at a festival where Kendall and humans hunt vegetables and kill them for pure pleasure. A gang of vegetables orchestrates an attack that claims several lives, led by a mysterious stalk of broccoli named Brocc. Brocc is hell-bent on destroying the processed foods and restoring balance to the world. During the attack, Brocc takes Kendall hostage, using him as collateral, and the two clash big time.

Brocc seems like a villain, but Kendall slowly learns the truth about the evil city and the processed foods’ true intentions, and he realizes that maybe the vegetables aren’t the bad guys after all.

Yes, I know, it sounds crazy, but really, the story is a statement about our dangerous relationship with food. It’s also heavily inspired by the Final Fantasy series, anime, and comics. Moreso than most of my series, this one is out there—it’s fast-paced, fun, and unforgettable.

I have a tough job marketing this series, as you can probably tell. The premise scares most people off, but when those who stick around read it, they usually enjoy it because it’s so different and fun.

I didn’t help myself with the first round of book covers, either. They were pretty ugly, and that was my fault for not giving my designer better clarity because the designer was amazing. The first covers had Brocc on the cover, and he’s a stalk of broccoli in a leather jacket, a gold earring, and red Chucks. But seriously though, can you imagine a book cover designer seeing a book like this coming into their email inbox? I did NOT make this easy on him.

The second designer though did a much better job, primarily because I understood the marketing a little better. The covers now have Kendall on the front, with a futuristic city in the background. The cover for Book 3, Delicious Zeal, is probably one of my favorite book covers in my collection. So yeah, I’ve had to learn how to market this book over the years, because it’s a challenge. But for me, it’s worth it.

Anyway, that’s the story behind Moderation Online. So if you haven’t stopped listening to this episode yet—which I suspect many people have already, check it out. You can find it at michaellaronn.com/moderationline. You won’t be disappointed.

Sound/Music Credits:

Intro/Outro Music: “Kick. Push” by Ryan Little: http://freemusicarchive.org/music/RyanLittle//kickpush

Episode 39: The One Where I Read My One Star Reviews

In this week’s episode, I’ll be reading my one and two star reviews, because, well, it’ll be fun.

Hello, and welcome to episode 38. This week, I thought it would be fun to spend some time reading the very thing that keeps a lot of people down—one star reviews.

I’ve never let reviews bother me that much, though I’d be lying to you if I said they didn’t affect me at all. Some hit home pretty hard, but you know what? That’s part of being a writer. It just means that someone, somewhere didn’t like my book. Out of the several billion people that live on this planet, there’s bound to be plenty of people who don’t like what I write. And there’s bound to be plenty more who do.

I view it as my job to get my books into the hands of the people that will enjoy reading them. Sometimes it’s not a good fit, and those people are totally within their rights to give the book a poor review. I’ve always believed that bad reviews actually help readers find books because they might identify with something in the review that they don’t like, thus moving onto another book. That in and of itself saves me another bad review. On the flip side, there might be someone reading through my reviews, and they’ll see a bad one and then say, “This reader is full of crap. This sounds like my kind of book!” And so they buy my book in support. The reading and buying process is funny like that.

Some authors rely too much on reviews. They listen to everything readers say, and they let it shape their artistic decisions about their work. That’s a fatal mistake. Just because readers have opinions doesn’t mean that I have to follow them, just like they don’t have to read every single book that someone recommends them. If you ever talk to me in private, you’ll notice that I’m quite stubborn when it comes to my creative ideas. I don’t compromise. That’s a disservice to the true fans who like my work.

Some authors say you shouldn’t acknowledge reviews at all. Generally, I believe in that. That’s why I won’t be sharing the names of any of my reviewers in this episode. But I also believe that you can’t simply ignore what people are saying about your work. I liken it to a manufacturer of a product. If you make tea kettles, you would want to know what customers are saying about your tea kettle right? Maybe they love it. Maybe they hate it. That doesn’t matter. What matters is the spirit of what they’re saying, what resonates with them. Maybe they bought it because your marketing connected with them and they speak to that in the review. Or maybe they don’t buy it because it reminds them too much of another product they bought and hated. I believe that there are clues there that can help you with the next product in terms of how you position it in the marketplace.

I’m a big believer in knowing where I stand, with people and in the marketplace. If people aren’t buying my book, that’s fine, but I want to know why. Not to act on it, but to understand where I stand. Helps me keep my expectations realistic.

Anyway, that’s my bit on reviews.

Let’s get to the fun stuff.

**\*

Main character is whiny, weak, pathetic.

Didn't like this story. A weak character. It was well written but I could not wait to get to the end and find something else to read.

The story was very disjointed and the characters felt flat. The first one third of the book was the main character following two other characters around without really knowing who they were, where they were going or why. I almost quit several times and by the ending I wished I had.

If you want to read about the trials of a man who actually conned himself into thinking a ritual with a particular powerful object would get his dead wife back & finds himself on the road to a literal hell, this is a book for you. Dante did it far better.

I really disliked the ending. You could see it coming halfway through the book. I understand this is the first in a series but more closure would of been nice.

I wanted to like this but couldn't make heads or tails of it. Finally just stopped reading. To bad I have all three books

In a real futuristic tale one is cleverly convinced that the characters could possibly exist. I wasn't.

The first 6 chapters were great, really creative and held my interest. After that, not so much. Perhaps it gets better later on, but by chapter 9 I lost interest. The grafting on of modern tech into a world with Dragons and elves was a bit much. I think the author got lazy or ran out of creativity! Laptops and Smart phones are not necessarily developments of a tech society.

Galaxy Guard pulls over a private starship, as if it was a traffic stop by a police officer. The Petty Officers ask for driver licenses and registration (sic). No plates on starship as it is a new purchase. Hyperdrive is fueled by gasoline. Childish and childlike is being kind. Bailed at end of Chapter 4, 16% in.

I mean, it’s like nothing about space is actually real. Why would you hang ‘emergency spacesuits’ right next to your regular spacesuits? What kind of spaceship fuel would be containerized and kept in the berthing spaces? Why couldn’t the spacer simply pull himself up…gravity in space? If you know nothing about space or the Coast Guard, you may be able to tolerate the almost comically bad plot. I could not. Normally, burning books is bad. If I had gotten this as a paperback, I would make an exception. Even a used bookstore shouldn’t stock this.

I got this as part of Kindle Unlimited and was unable to get past the first chapter or two. It was as if someone had written a book about the coast guard and then dared them to change it to science fiction by changing oceans to galaxies. Starts off doing an inspection and checking if the life preservers were there and it was noted the engine on the intergalactic vessel had its oil topped off and that is where it lost me..fini. Maybe the beginning was a dream sequence and it gets better but I have my doubts..

I was so excited to read this book after skimming through the sample… and then so disappointed.

**\*

I’ll stop there. I didn’t edit any of these, so as you heard, some of them were pretty harsh, and I’ll admit that they stung a little when I read them for the first time.

But what gives me some encouragement is that this is only 12 reviews. Out of many, many more reviews. In fact, most of my reviews are overwhelmingly positive. So sure, this was 12 people. Am I going to base my career on the opinions of twelve people? Nope.

What also encourages me about these reviews are the people that are NOT going to buy my books as a result of reading them. Most of these reviews are simply honest opinions, but a few of them venture into troll territory. What these few reviewers don’t realize is that they’re actually helping validate my book. It would be odd to say I’m grateful for trolls—I’m not—but I do find it pretty ironic that they put so much time and energy into negative reviews that do nothing but help the very person they’re intended to hurt.

So anyway, I read these reviews to show those of you that everyone gets one-star reviews. You could go to a Stephen King book, or any other author and see substantially the same sentiment in the one-star and two-star sections. If you’re a writer, that should give you some courage.

Sound/Music Credits:

Intro/Outro Music: “Kick. Push” by Ryan Little: http://freemusicarchive.org/music/RyanLittle//kickpush

Ep 24: How I Deal with Writer’s Block

Ep 24: How I Deal with Writer’s Block

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This week's episode is sponsored by Michael's direct book sales. Did you know that you can buy books from Michael directly, with the ebook delivered to your e-reader of choice? 

Select your next book from his catalogue today: www.michaellaronn.com/books 

SHOW NOTES

Writer’s block affects every writer. In this episode, I talk about unique skill I’ve cultivated that has helped me turn moments of “writer’s block” into the best sources of my creativity.

    Sound/Music Credits for this week's episode

    Intro/Outro Music: “Kick. Push” by Ryan Little.

    Sound Effects/Miscellaneous Credits:

     

    Sound effects courtesy of Freesound.org.

    TRANSCRIPT

    Writer’s Block hits every writer. Some can deal with it in a matter of hours, some can overcome it in a matter of days, and others, unfortunately, never beat it.

    I don’t personally believe in writer’s block, but there have been times when I’ve been stuck in my books.

    This week, I’m going to talk about how I power through the hard times, and a unique skill I’ve cultivated that has helped me turn moments of “writer’s block” into the best sources of my creativity.

    ***

    Hello, and welcome to episode 24.

    For my behind the scenes episode this week, I wanted to spend some time talking about how I deal with writer’s block.

    I mentioned that I don’t believe in Writer’s Block. I know that sounds a little smug, but here’s my problem with the word “writer’s block”—it’s really just an excuse most of the time.

    It’s so easy to say, “I can’t write because I have writer’s block.” And then days and months pass and you have nothing to show for it.

    Most authorities in writing treat writer’s block as a major struggle to be won. It’s this huge battle that writer’s face on a regular basis…

    I just refuse to believe all of that.

    I believe that we as writers have to do a better job of focusing on solutions, not excuses. And writer’s block to me seems like a really convenient excuse. Let me explain.

    ***

    Now, I don’t mean to diminish the struggle that people feel when they’re stuck in their manuscript. All writers get stuck and that’s the truth. I’ve been stuck in my own books many times.

    However, I think mindset is really important and goes a long way here.

    Despite the fact that I’m stuck, I don’t call it writer’s block.

    I’m going to get metaphysical for a minute, but stick with me.

    I believe that your subconscious is the source of your creativity. It knows exactly what to write, how to write, and where. My subconscious—or muse—or creative voice as Dean Wesley Smith calls it—is my guiding light. It will help you over every obstacle if you just listen to it.

    But most people can’t and won’t do that. Instead, they write from the logical part of their brains, which is actually not a very good idea because this part of the brain is also where the inner critic lives. The writer often undermines what the subconscious originally gives them, because he or she thinks that she ultimately knows better and knows what readers want.

    When writers quit, it’s usually because of the inner critic giving up.

    I personally believe that abolishing the inner critic is one of the most important things a writer must do to be creative.

    When you do that, you’ll actually be able to LISTEN to your subconscious. And that’s how you remain creative.

    And when you LISTEN to your subconscious, it will actually tell you what it needs.

    It’s not stuck because of writer’s block. It’s stuck because it needs something. I view it as my job to give it what it needs.

    ***

    Let me give you my best example of nurturing my creative voice.

    In my novel, Android Deception, I got to a section halfway through the book and got stuck.

    I fought against it for a long time, dragging myself to my computer and trying to bang out words, but it didn’t work.

    Instead, I listened to myself and let myself drift.

    My wife and I visited a local bakery that I had never been to before. That experience was exactly what I needed. It was amazing experience—creative decor, incredible ambience, and lots of interesting people.

    While I was there, I remember asking myself, “How would I write this into a novel?”

    And I connected it to my novel. When I got home, it turns out that scene gave me the inspiration I needed, and I wrote the bakery into the next chapter. That ended up being the most memorable chapter in the book.

    So did I have writer’s block?

    No.

    I gave my subconscious what it needed, which was a new experience. I leaned into the fact that I didn’t know what to write next. In other words, I let myself drift. I let life happen around me and I was rewarded for it as a result.

    I view writer’s block as productive discomfort. Instead of fearing it, I embrace it.

    It’s like when your car skids out of control. The natural inclination is to swerve the opposite direction, but that makes it worse. The way to regain control is actually to lean into the direction your car is swerving.

    For me, writing is no different.

    Now, I’ll admit. Some people might hear this message and think, Cool, I can procrastinate when I get stuck!

    I’m not saying that. Drifting and listening to your subconscious sometimes is a matter of having strong will and motivation to return to your manuscript. Otherwise, you’ll never finish.

    I don’t let myself drift for very long. Just long enough to let life seep in to my novels. And if you live life to the fullest, keep your eyes open, and pay attention to your surroundings, it won’t take very long.

    Anyway, I thought I’d share that secret with you, as it’s gotten me through a fair amount of pain points in my books. I talk more about this in my book, Be a Writing Machine, if you want to hear more about writing process.

    QUOTE OF THE WEEK

    “Patience and perseverance have a magical effect before which difficulties disappear and obstacles vanish.” John Quincy Adams

     

    Show's over, but it doesn't have to stop here.

    If you liked this episode, you and me are probably kindred spirits.

    WHAT DO YOU THINK OF THIS WEEK'S EPISODE?

     Let me know!

    Ep 23: The Man Known Only as “Bus Driver”

    Ep 23: The Man Known Only as “Bus Driver”

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     This week's episode is sponsored by my Patreon channel. Support one of your favorite writers (wink, wink) for just $1/month. That will keep these shows coming. 

    Be a patron today at www.patreon.com/michaellaronn 

    SHOW NOTES

     

    There are some people you’ll never forget. In this week’s sketchbook episode, I talk about a school bus driver who made an incredible impression on me, and taught me an important lesson that I still use even today.

      Sound/Music Credits for this week's episode

      Intro/Outro Music: “Kick. Push” by Ryan Little.

      Sound Effects/Miscellaneous Credits:

      School bus ride by cognito perceptu: https://freesound.org/people/cognito%20perceptu/sounds/84241/

      Vehicle_School Bus Stop Sequence by CGEffex: https://freesound.org/people/CGEffex/sounds/89569/

      School Kids Walk by Makosan: https://freesound.org/people/makosan/sounds/34716/

      Bus Door by zombiechick: https://freesound.org/people/zombiechick/sounds/380320/

      Night on the Docks by Kevin Macleod: http://freemusicarchive.org/music/Kevin_MacLeod/Jazz_Sampler/Night_on_the_Docks_-_Sax_1206 

      Sound effects courtesy of Freesound.org.

      TRANSCRIPT

      There are some people you’ll never forget as long as you live.

      This week, we’re going back to 1999. I was in seventh grade, and my primary mode of transportation was a school bus. I can remember many, many frosty mornings standing on a corner in my apartment complex waiting for bus number 546 to lumber up to the curb.

      The door would creak open, and every day it was the same bus driver, an elderly black man with gray stubble, a denim Oxford, and trucker cap. In my entire two years, I don’t think he ever missed a day.

      I consider him an early mentor, and he taught me a lot about humility, and how to deal with trolls. He’s the subject of my sketchbook today.

      ***

      Hello, and welcome to episode 23.

      Let me just start this week’s sketchbook out by saying that I was bullied pretty bad. While I look back on my middle school days fondly, I can’t look at them without feeling some pain, either. And when I think about those days, the things that got me through the constant bullying and teasing and fights, it was the guidance of teachers and adults that ultimately believed in me and helped because they wanted to see kids succeed.

      I went to school with a lot of kids who thought they were invincible and disrespected adults something awful. And when I say disrespect, I mean cursing, punching, and all kinds of other verbal and physical harm. It was tough to be a teacher in my middle school. There were many days where teachers ended up with black eyes for trying busting up fights. My principal got assaulted in the parking lot one night after school.

      Not even the school buses were safe. Fights broke out there, too, more times than I liked to count.

      Which brings me to my bus driver, a man just doing his job in a hostile environment.

      ***

      No one ever knew the man’s name, so everyone just called him bus driver. He only had one facial-expression, and that was stone-faced, staring straight ahead. He looked like a man who’d had a life of quiet disappointment, probably because he was driving a school bus of rowdy kids who disrespected him every day.

      He wore the same thing every day: a denim oxford and a trucker cap. He had a potbelly, and a voice that reminded me of Bill Cosby. In fact, that’s why the kids made fun of him. Not a single day went by where someone in the back of the bus didn’t bust out a Bill Cosby impersonation just to mock him.

      The kids mocked him for what he wore. They mocked him for being quiet, taunting him and trying to get him to talk, and he would ignore them. He’d focus on driving the bus methodically through his serpentine route.

      He took a lot of crap, and he took it gracefully.

      ***

      Two incidents forever made me a fan of this man.

      He was, at that point in my life, the only person I had ever seen who was bullied more than me. Those kids terrorized him like you wouldn’t believe, and as much as I hated to see it, seeing someone else be terrorized instead of me for a change was a welcome breather, time for me to reflect on those long bus rides home.

      As is any nerdy kid’s custom, I usually sat in the front of the bus, directly behind him. I’d stare wistfully out the window.

      One day, he spoke to me. I don’t know how or why.

      But he must have believed I was only kid on that bus that was worth talking to, because he never spoke to anyone else.

      He was incredibly friendly to me. I thought he hated his life based on his facial expression, but when he spoke, he was actually very warm.

      “You’re not like the other knuckleheads in the back of the bus,” he told me. He’d ask me about my classes and how they were going. He’d ask about my family. And we’d have pleasant conversation. Hell, we talked about philosophy and about the ways of people.

      ***

      Near the end of my eighth grade year, he said something I’ll never forget.

      He said, “You look like you’re destined to go somewhere in life, wise beyond your years. The other kids here, they just talk and don’t know what they’re talking about. You look like the kind of kid that gets all the facts and makes up your mind for yourself. That’s gonna take you a long way.”

      I don’t really remember the details of all our conversations, but I’ll never forget that.

      Here was a man I only spoke to for maybe twenty minutes a day, but I learned a lot from him. I connected with him in a way that I didn’t with other adults. I viewed him as an elder, like my grandparents and great grandparents.

      He believed in civility. He treated people with respect even if they disrespected you. He believed in jazz and its power to transform a person’s life. He believed in doing a good job because that was the minimum of what was expected of you. He believed that as a black man, it was his responsibility to be a role model to other black people, especially the young pups, and he told me many times that I needed to pass that on.

      ***

      The second incident, I saw him break.

      Those kids broke him.

      I suppose one can only take so much before he snaps.

      It was just before summer vacation at the end of the day, and a kid got on the bus with a CD player. I didn’t think anything of it as he passed. But soon, the assistant principal ran onto the bus and called the boy’s name.

      Turns out the kid’s teacher had confiscated his CD player because he was listening to it in class, and he stole it out of his teacher’s desk before he left.

      The confrontation immediately turned into a shouting match, and the kid called the assistant principal all kinds of bad names. The bus driver sat silently as the encounter unfolded, eyeing the boy in the rearview mirror.

      ***

      Eventually, the assistant principal confiscated the CD player, and I don’t remember why, but they let the kid ride the bus home. The whole way home, he was making passive aggressive remarks about the principal, the school, and life in general, in colorful words I won’t repeat.

      Anyway, the bus is driving down a busy street when the kid says something to the tune of, “Everybody in this school would be much better off without teachers treating school like slave day.” Imagine that, but with more curse words.

      The bus screeched to a stop. Seriously, I didn’t know a school bus could stop that fast.

      The bus driver put the bus in park and stood up.

      “What did you say, boy?” he asked calmly.

      “It’s a motherfuckin’ slave day!” the kid shouted.

      “Slave day?” the bus driver asked. “You don’t know the meaning of slave day.”

      And then the bus driver exploded. He lectured the entire bus on how insolent we were and as black people that was a damn shame. He said a lot of slaves died so we could be more than just three-fifths of a person and actually live in this society as free people.

      And, predictably, the kid cursed him out.

      And the bus driver shut him up and got even madder. He pointed a finger at the kid and said a lot of people stood up and spoke out just so we could ride a bus in the first place. And here this kid was with his first world problems mad, at the principal because the principal was enforcing the rules.

      He opened the bus door, which led into the middle of traffic, told the boy to get the hell off his bus.

      Then he drove off, leaving the boy standing on the curb.

      I’ve never heard that bus so quiet. And if that wasn’t enough, the bus driver then glanced at us with a harsh warning.

      “Any of you wanna talk like that, I’ll put you off my bus!”

      And then he didn’t say another word.

      ***

      Hoped you liked that one. That bus driver was unforgettable. And he got in a lot of trouble for that incident. After all, he lost his composure and endangered a child.

      After everything transpired, he told me that he almost lost his job over it. But he didn’t seem to mind. A job’s a job, and he could drive a bus in any school district, probably better ones than mine.

      Many years later, when I was working in corporate America and took a stand for what I believed in and almost lost my own job as a result, I thought of him, and his quiet confidence.

      QUOTE OF THE WEEK

      “If you would know strength and patience, welcome the company of trees.” Hal Borland

       

      Show's over, but it doesn't have to stop here.

      If you liked this episode, you and me are probably kindred spirits.

      WHAT DO YOU THINK OF THIS WEEK'S EPISODE?

       Let me know!

      Ep 22: Patience and How I’m in This for the Long-Haul

      Ep 22: Patience and How I’m in This for the Long-Haul

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      This week's episode is sponsored by Be a Writing Machine. Write faster and better, beat writer's block, and be prolific!

      ‘Nuff said. 

      Buy today at www.michaellaronn.com/beawritingmachine 

      SHOW NOTES

      In this week’s episode, I talk about patience and how I’m in this for the long haul. I don’t just say it. I live it.

        Sound/Music Credits for this week's episode

        Intro/Outro Music: “Kick. Push” by Ryan Little.

        Sound Effects/Miscellaneous Credits:

         

        Sound effects courtesy of Freesound.org.

        TRANSCRIPT

        You just heard a clip from an interview I did with Dan Blank on the Dabblers vs Doers Podcast.

        In this episode I’ll be talking about patience and why—and how—I’m in the writing business for the long haul.

        ***

        Hello, and welcome to episode 22. This week I wanted to spend some time talking about patience, because it’s something I have in spades, but many authors don’t.

        Patience for me means that even though I know I’m not as successful as I want to be today, it’s being okay with today because I know that I’ll be where I want to be down the road.

        So many people jump into writing expecting to be crazy successful right out of the gate. I myself was no exception to this.

        When I published my first book, Magic Souls, I thought I’d be a six figure author by the end of the year. Ha ha. Funny.

        The truth is that while Magic Souls was a good book, there were a lot of things I did wrong. Not with the story, because it’s a solid story, but with the marketing.

        My original book cover didn’t speak to readers.

        I bought ads at all the wrong places.

        I spent my time chasing the wrong readers.

        And most important of all, I had zero clue where my book fit in the market.

        Top that off with a poor author website, a lackluster social media presence, and no author brand, and my first book launch by most accounts was a failure.

        ***

        But you know what I think?

        The book was a success. Sure, it didn’t make any money, but I choose instead to focus on the positive lessons.

        In writing Magic Souls, I learned so much about the writing process that I could write my next book faster. The readers who did review the book absolutely loved it.

        The launch also taught me that my goals were too damn unrealistic. It taught me that I wasn’t as good of an author as I thought I was. It taught me that there was a big wide world out there that I needed to learn.

        And instead of sulking over it, I wrote my next book, taking the lessons I learned and applying it to the next book.

        40 books later, you’d think I’d be doing something right. I am. Right now I’m doing a lot of things right. The fact that you’re listening to this podcast every week means that I’ve done my job as both an author and as a storyteller. I’ve sharpened my storytelling skills to keep you listening. In 2014 no one would have wanted to hear me do a Podcast like this. Trust me on that. I didn’t have the skill set.

        For my books, I know my target audiences now. My covers are infinitely better. I don’t just have books. I have a brand.

        All that because I committed to getting better rather than beating myself up over sales numbers.

        Patience for me isn’t doing the same thing over and over again. It’s about iteration and introspection.

        I spend a lot of time by myself, just thinking. One of my strengths is that I’m fairly self aware.

        I know that long term, I’m going to be in a much better position, all because I’m better today than I was in 2014 when I first started.

        Everything I do in my career is simply practice.

        I’m practicing my craft with every new story.

        This podcast is one big practice session in how to create content that connects with people on a human level. So is my YouTube channel.

        Everything for me is one big experiment, and I’m totally fine with failing. And just about everything I have done has failed on some level.

        ***

        I opened the show with an excerpt about burnout.

        There are only a few things that make me wake up in the middle of the night in a cold sweat. Burnout is one of them.

        Patience and burnout go hand in hand for me. After all, I’ve been doing this for five years. It’s really easy to think maybe I should quit, but I refuse.

        But burnout is real, and I do everything I can to avoid it. And the easiest way to avoid burnout is to see the positive in everything.

        For example, I don’t necessarily enjoy editing this podcast. But I do it because I have to, and I see it as learning valuable experience for when I’m successful to hire someone to edit my audio and video for me. Doing the work myself now will make it easier for me to give direction and clarity to a future employee who will do this for me.

        So I learn to like editing, and I have fun with it.

        That’s my secret.

        I’m eternally optimistic and I am always twisting things in order to see the lesson and the benefit. Even setbacks.

        Hell, I view patches of writer’s block as blessings sometimes. That takes a mindset shift and a level of patience that most people don’t have.

        I know that in order to have a successful long term career, I’ve got to 1) keep creating and 2) avoid burnout at all costs.

        So I create content patiently with no expectations and I have fun with my writing.

        So, if it takes me fifteen or twenty more years to be successful and make a living from my work, I’m okay with that. I can’t wait to see how much more skillful and developed I will be as an author and human being when I get there.

        But if it happens tomorrow—I’ll also be ready for it, because I’ve been preparing every day, every minute, every second for the day my life is going to change. And when it does, sure, my circumstances will change. My problems will get magnified. My schedule is going to get crazy. But I myself won’t change because ultimately, I’ve been preparing all this time not to write a bestselling book, but to be myself in public. 100% authentic and true to myself and my readers.

        And that’s easier said than done.

        QUOTE OF THE WEEK

        “Good, better, best. Never let it rest. ‘Til your good is better and your better is best.” St. Jerome.

        Show's over, but it doesn't have to stop here.

        If you liked this episode, you and me are probably kindred spirits.

        WHAT DO YOU THINK OF THIS WEEK'S EPISODE?

         Let me know!

        Ep 21: 7/26/18 Progress Report

        Ep 21: 7/26/18 Progress Report

        [TheChamp-Sharing]

        Subscribe: Android | RSS  

         

        This week's episode is sponsored by Nightmare Stalkers, Book 2 in my Magic Trackers series. Join Aisha Robinson as she tries to rid a woman of recurring nightmares that are manifesting themselves into the real world. If she doesn't, more people will die.

        Buy it at www.michaellaronn.com/nightmarestalkers 

        SHOW NOTES

        In this week’s episode I give an update on how well the relaunch of my YouTube channel Author Level Up went. I also answer some questions about my first job and my tea habit.

          Sound/Music Credits for this week's episode

          Intro/Outro Music: “Kick. Push” by Ryan Little.

          Sound Effects/Miscellaneous Credits:

           

          Sound effects courtesy of Freesound.org.

          TRANSCRIPT

          Hello, welcome to episode 21. In this month’s progress update, I have a lot of cool stuff to share.

          For starters, my YouTube channel. For the first two months, I picked up around 500 subscribers and am very close to passing the 5,000 subscriber mark, which is crazy. It’s small, but as I say on this podcast all the time, everyone has to start somewhere, and the fact that I started with some momentum is really important.

          My Scrivener vs Ulysses Cage Match video where I compare the two writing programs is already poised to be my best video of all time. And I’m just getting started.

          So huge shout out to my YouTube subscribers for supporting me, and if you’re not a subscriber yet, visit authorlevelup.com or YouTube.com/authorlevelup to get lots of helpful writing videos!

          In writing news, I have unfortunately decided to set aside my Sound Mage Sonata series. I won’t go into it in this show, but I gave it a lot of thought and talk about it in a video on my YouTube channel. Check the show notes for a link.

          For my fiction, I’ve decided to return to my Magic Trackers urban fantasy series, continuing on the story of my heroine, Aisha Robinson and her two cousins. I love this series and it’ll be fun for me to write.

          For nonfiction, I am planning a book on the basics. Basically, 20% of my audience has never written a book, so I want to write something for them that will help them break through their barriers and wade through a lot of the crap that’s out there targeted toward new writers. I’ll share more about this as I build it out, and I plan on being super transparent and let you guys watch over my shoulder as I design and create it.

          In marketing news, the interview with Anais Concepcion and Maya Goode at the Literary Roadhouse Podcast is now live, so I’ll drop a link in the show notes. Be sure to check it out.

          Oswald Q&A

          My biggest fan, Oswald is back this month with more questions.

          Oswald McChipperson asks:

          “As a robot fresh out of my manufacturer’s factory, I had to find a job. My first job was on an assembly line creating wind-up mice. It enhanced my artificial intelligence in immeasurable ways. Tell me, Michael, what was your first job?”

          Great question, Oswald!

          My stepdad is a barber, and for a time he ran a barber college. You could go there to get cheap haircuts because the barbers there were still learning their craft. Because it was a school, my dad ran things on a tight budget.

          Instead of an allowance, my dad paid me to go to his school every other weekend and clean up the place. I swept all the hair off the floor, vacuumed, cleaned the bathrooms, washed all the sinks, and mopped. I usually did it on a Sunday afternoon, and it was quiet, solitary work. That job taught me a lot and it was easy money.

          Time for the next question.

          Oswald asks, “Did you know that the creator of the Frisbee had himself cremated and his ashes turned incorporated into Frisbees as a memorial to himself? Tell me, Michael, did you know that?”

          Umm…Oswald, two things…that’s not a question, and well, that’s just creepy. Next question.

          “In order to remain healthy, my creator recommends a daily regimen of lubricants and joint greases, which I take faithfully and are quite similar to coffee and tea. Tell me, Michael, do you prefer coffee or tea?”

          Tea. Tea, all the way. Believe it or not, I am a huge loose leaf tea drinker, and the fact that I drink tea at all is a major lesson in your taste buds changing.

          As a kid, tea was always available in my house, but it was the crappy kind. You couldn’t drink it without puckering up.

          I never drank coffee, either. I always believed that if you needed coffee to help you stay awake, then you needed to get more sleep.

          When I started working, however, I learned to like coffee. I never got attached to it, and I preferred the cheap K-Cups, which are so, so bad for you. That wouldn’t have been horrible, except for the fact that I was using two little cups of cream and at least three packets of sugar per cup.

          One of my coworkers saw me one day and said “Umm, what are you doing?”

          “Making my coffee,” I said.

          “That’s an awfully lot of sugar, don’t you think?” she asked.

          I looked down at my cup and realized, holy crap, this IS a lot of sugar. Honestly, it never occurred to me.

          I’ll never forget that intervention.

          I told myself I had to stop and committed to drinking tea again.

          I searched long and wide for a tea I could believe in, and I found some. I got so hooked that I developed a tea habit—but no sugar—which was far healthier.

          At the current time, some of my favorite teas are Ceylon tea from Sri Lanka—it’s fantastically full-bodied with a slight caramel taste. I recommend Ahmad Tea’s Ceylon blend.

          Another of my all-time favorite teas is Hot Cinnamon Spice by Harney and Sons. Cinnamon and tea shouldn’t go together, but my god, with a little bit of honey—it’s like Christmas in a cup.

          I also like Ahmad’s Lemon Vitality tea.

          But really, I like green teas, too. I love a good jasmine tea, as well as gunpowder and hojicha from Japan.

          I tend to stay away from anything artificial.

          I like tea not only for the taste, but because it lifts my mood. It puts me in such a good mood. I also like the ritual of tea. Something about it makes everything slow down for me, which is much needed in my life.

          So thanks Oswald, and if I ever see you in person, we’ll have a cup of tea together. I appreciate your questions as always.

          [Oswald says “you're welcome.]

          QUOTE OF THE WEEK

          “Tea time is a chance to slow down, pull back, and appreciate our surroundings.” Letitia Baldridge

          Show's over, but it doesn't have to stop here.

          If you liked this episode, you and me are probably kindred spirits.

          WHAT DO YOU THINK OF THIS WEEK'S EPISODE?

           Let me know!