SHOW NOTES

Quick overview of this week's show:

• Top 10 Moments that shaped me as a writer and made me who I am today.
• Some incredible books that transformed the way I think.

TRANSCRIPT

In this week’s episode, I’m rewinding through my life and counting down the top 10 most important moments that shaped me as a writer. I’m starting with the present and moving backward.

#10? The experience with my biological father. It confirmed why I’m a writer in the first place. Stay tuned to find out the rest.

Hello, and welcome to episode 11. This week, I thought I’d spend some time talking about critical events in my life that made me the artist I am today.

I already mentioned in the intro that #10 was the search for my biological father. I talked about that in episode 5 – Searching for My Biological Father, so if you haven’t heard that one, be sure to give it a listen.

#9: Taking Courses with Dean Wesley Smith

Moving on to #9, that would be taking courses with Dean Wesley Smith at WMG Publishing.

If you’ve never heard of Dean, he’s a USA Today bestselling author and the guy who wrote all the Star Trek books I read when I was growing up.

He’s a prolific writer and his courses are jam-packed with amazing advice that have taken my craft to the next level. Dean Wesley Smith's courses expanded my mind and helped me understand writing on a deeper level.

#8: Reading the Works of Swami Vivekananda

Moving on: #8 is reading the works of Swami Vivekananda. Swami Vivekananda was a Hindu monk who lived in the 1800s and early 1900s, and he was responsible for introducing the western world to Hindu spirituality and philosophy.

Sometime in 2011 I stumbled upon his complete works, and I was completely blown away at how he saw the world.

Some of the things he preaches are mantras that I live by daily. In fact, if you delved into the philosophical undercurrents of my stories, you would find that they center on many of Vivekananda’s key assumptions about spirituality.

I talk more about Swami Vivekananda in my book, Be a Writing Machine, so be sure to check out the book if you want to know more about how he developed me as a writer.

#7: Discovering Ray Bradbury

#7 is discovering the works of Ray Bradbury. I picked up Fahrenheit 451 in 2010 on a whim, and my life was never the same. The way Bradbury wrote, it was like music, like pure intoxication. I told myself if I could ever be half the writer he was, then I would be somebody.

Bradbury's prose was beautiful, so imaginative and evocative, while still having a fast-moving story. I strove to find that balance in my own work.

I was also blown away by Bradbury’s prolific nature—I too wanted to be an author with hundreds of works on the shelf.

Something about Bradbury’s personality just clicked with me—it told me it was okay to write a lot of stuff, and to write a lot of different stuff, too.

A great book that outlines many of Bradbury’s philosophies about the world is Listen to the Echoes: The Ray Bradbury Interviews. It’s essential reading for any Bradbury fan.

#6: Learning Spanish

Spanish, you ask?

Yes, I am bilingual.

I started speaking Spanish in the seventh grade. I wanted to take a shop class for my elective, but it was full, so my guidance counselor forced me to take Spanish, and I went into that classroom kicking and screaming. It ended up being one of the top ten moments of my life.

I majored in Spanish in college, and studied abroad to Costa Rica, Nicaragua, and Panama.

My first job out of college was as a bilingual claims adjuster for a Fortune 100 insurance company. I was way in over my head, but I took the leap of faith. I became fluent on the job, and there were many days where all I spoke was Spanish. I did this for nearly five years.

Honestly, my love of Spanish could be a podcast episode in and of itself.

Why did this impact me as a writer? Because I learned the nuances of another culture, and how easy it is for things to get lost in translation.

Writers are translators. We translate the language of the mind into something that readers can see, feel, and experience.

In order to keep people reading, we have to translate what’s in our head and hearts and color it so that it means something to the person on the other side of the page. Often, writers think they are doing that, but they are actually falling short.

Learning to speak Spanish on a practical level helped me see weaknesses in my storytelling in a different way. And it taught me how to shore up those weaknesses so that I could start speaking to people on their level.

That’s it for this week’s episode. In next month’s Behind the Scenes episode, I’ll go over the top 5 moments that shaped me as a writer. And these events are even more life-changing.

QUOTE OF THE WEEK

“This world is but a canvas to our imagination.”

Henry David Thoreau

WHAT DO YOU THINK OF THIS WEEK'S EPISODE?

 Let me know!

SHOW NOTES

Quick overview of this week's show:

• Why the five senses are one of my secrets to effective writing that engages the hearts and minds of readers
• Examples from my work
• A new way to think about this using two unique analogies

TRANSCRIPT

The older I get, the more appreciation I have for the five senses.

There's something to love about paying attention to all of life's cues in a five dimensional way…

There’s this memory that I will never forget.

I was sitting in my great grandmother’s kitchen as a boy as she cooked lunch on a sunny afternoon.

I remember relishing the sweet smell of fresh corn bread when she pulled it out of the oven.

Collard greens simmering on the stove with a ham hock bobbing on the surface. The ceiling fan whirring wildly.

Judge Judy blaring on the TV. People screaming at each other.

Sugar exploding on my lips as I drink a cold can of grape soda. Beads of sweat on the shiny can like translucent pearls.

I crush the cold aluminum in my palms. Time for another one.

[END MEMORY]

Was that vivid? Did I take you there? Could you see, smell, and hear the memory? If so, keep listening to find out how I did it, because I'm going to talk about one of the key secrets in my writing craft.

***

Hello there, and welcome to episode 7. I want to talk today about a technique that I have been using in my writing for the last ten years that has made a big difference with readers.

It's the reason why in reviews, readers say that my work is imaginative, visual, and it's almost like they can “see” my story unfolding.

That technique is using the five senses in my work. When I say use, I mean repeatedly, and over and over again.

This is fairly common advice, but I wanted to talk today about how I apply it practically.

In order to use the five senses effectively in your work, you've got to do it in such a way that it doesn't impede the flow of your story and the readers don't notice you're doing it.

When I was writing poetry, one of the first things I learned to do was to use the five senses. Poetry forced me to economize, so I often got creative and used single words to describe something in two senses. Sometimes I made words and phrases up to achieve the image I was going for.

[CUE LOVE MUSIC]

May I say that you look razzledazzly today?

[NEEDLE SKIPS, ENDING SONG]

When I made the jump to short stories and novels, this was something I was already pretty good at so it made the transition smoother. I'm to the point now where I do this on autopilot. I don't even have to think about it. In fact, when I'm in public and called upon to speak, I often speak in stories, and I find myself using the five senses orally, too.

I took several courses with Dean Wesley Smith, a prolific author who I consider to be a virtual mentor, and he talks about how the five senses ground the reader in your story. It makes the story real for them because they can see it and feel it.

In the clip I opened the show with, I used all five sensory details to tell the story of sitting in my great grandmother’s kitchen. If I did my job right, it was engaging and kept you listening.

***

Here's how I've learned to take writing with the five senses to the next level.

I like to pair the senses with my content.

Example #1: in my Last Dragon Lord Series, my Main character is a dragon. A dragon is going to experience sensory details differently than a human, so when writing the book I focused on taste and smell more often, about 60-70% of the time whenever I needed a sensory detail. That made my hero’s observations more realistic, and readers called it out in the book reviews.

Example #2: When choosing imagery, I don't just pick the best thought to describe something; I use imagery that matches the emotion of the scene. In a poem, I once described tumbleweed rolling through a building. I used the line “rolls through the bowels of broken buildings.” I could have said “insides of broken buildings,” “rubble-crusted broken buildings,” or some sensory phrase. But with that poem, I was trying to describe a desolate, post-apocalyptic atmosphere. Bowels has a negative smell connotation and reminds one of ruin and decay, so that image made the most sense.

Example #3: I use sensory detail to help the reader see out of the character’s eyes. When the reader is along for the ride, they live alongside the character and they see what the character sees. They also cannot see what the character cannot see, which is sometimes helpful because you can hide certain things in plain sight that will be important later.

To illustrate this in real life, I can't tell you how many times I have an encounter with someone, and I recall it like it was yesterday…but my wife, who was right there with me, recalls it differently. She focuses on different details than me, picks up clues in people’s body behavior that I completely missed. But here's the thing: the clues were still there.

If there's anything I've learned, it's to imagine writing as painting.

Think about the last painting you saw. Artists have an uncanny way of focusing your eye. Certain elements of a painting have amazing detail: others have basic detail. The artist is attracting your attention to what he wants you to see.

When you're writing, you're drawing with mental paint. You want the reader to see what you want them to see; all else is noise. You can use sensory detail as a way to ground readers in the story, hold and direct their attention, and distract them from something that might be important later on.

Very powerful.

***

Quote of the week: “The future belongs to those who believe in the beauty of their dreams.” Eleanor Roosevelt

CREDITS

Intro/Outro Music: “Kick. Push” by Ryan Little.

Sound Effects/Miscellaneous Credits:

Cooking in the Kitchen by KenzieVaness: https://freesound.org/people/KenzieVaness/sounds/352050/

Opening a can of soda by michorvath: https://freesound.org/people/michorvath/sounds/386887/

Pop tab break by SunnySideSound: https://freesound.org/people/SunnySideSound/sounds/67806/

Ceiling fan by zmadyun: https://freesound.org/people/zmadyun/sounds/343793/

egg timer by xyzr_kx: https://freesound.org/people/xyzr_kx/sounds/14263/

Needle Skip ZE Sound Research Inc: https://freesound.org/people/ZeSoundResearchInc./sounds/117512/

Archetypal (Star-Crossed Lovers) by Drake Stafford: http://freemusicarchive.org/music/Drake_Stafford/~/Archetypal_Star-Crossed_Lovers

Sound effects courtesy of Freesound.org.